It's always nice to see a new Regency-era romp - 'Bridgerton' begins on Christmas Day on Netflix. Looks like some smashing frocks are in store for us - I will reserve judgment on the story till I've seen it!
Wednesday, 16 December 2020
Monday, 24 February 2020
I went to see the new adaptation of Jane Austen's Emma with some trepidation, as I was very disappointed by the recent TV series 'Sanditon' (and I know that many other Austen fans were, too).
Well fear not, ladies (and gentlemen), you can visit your local cinema and watch Emma, safe in the knowledge that the movie is true to the spirit of Austen's novel.
This is not to say that it gives a completely faithful recreation of the novel - it doesn't - but I hope to whet your appetite without too many spoilers.
As you would expect, the movie opens with the marriage of Emma's governess Miss Taylor, and Emma's 'gentle sorrow' at losing her friend.
Then we have Mr Knightley's first appearance! I was initially worried by Mr Knightley's 'artistically necessary' scene - I thought, please no, not another Sanditon - but once our leading man dons his breeches, the movie soon hits its stride.
Johnny Flynn gives Mr Knightley a less stately air than in the novel - more the Romantic hero - but none the worse for that! He still acts as Emma's moral guide as she arrogantly rearranges everyone's love-lives.
Emma Woodhouse is played by Anya Taylor-Joy, who does a good job of conveying Emma's snobbiness and the high-handedness of her dealings with Harriet Smith. Bill Nighy plays a surprisingly sprightly Mr Woodhouse, but there are some good gags re his fussiness which I won't spoil for you.
Before seeing the movie, I'd had qualms when I heard that Miranda Hart was playing Miss Bates. (I feared a reprise of Alison Steadman's immensely irritating Mrs Bennet in Pride and Prejudice). But her performance is very nicely judged, and we feel her genuine shock when Emma is rude to her at Box Hill.
Mr and Mrs Elton are cringe-worthy, as they should be - Mr Elton does seem to be channeling Mr Collins at times.
The 'detective story' bits of Emma are rather underplayed. Frank Churchill is primarily the focus of Mr Knightley's jealousy, of course, but I felt we do not see enough of Jane Fairfax.
There are some nicely stroppy female characters. Isabella Knightley is quite pushy, and by the end of the movie, Harriet Smith upbraids Emma very spiritedly for pushing her into refusing Robert Martin.
John Knightley does not feature quite as much as I would have liked, but perhaps this was to keep the main focus on George Knightley and Emma.
The costumes are gorgeous - and as far as I can tell very accurate - for the ladies' and men's fashions and hairstyles. Emma's frocks and bonnets in particular look as if they were copied straight from a fashion print from any of the contemporary magazines.
The sets and locations are beautifully shot and presented. A couple of caveats - why was the Bates' supposedly humble home hung with Flemish-style tapestries? And - perhaps because of the cinema's sound system? - sometimes the 'background' farmyard noises were so loud, one wonders if Regency sheep carried megaphones!
The movie has lots of very funny comic visual touches - although in my view one was rather out of place during Knightley's proposal to Emma (!) - but overall, I thoroughly enjoyed it.
Anyway, do go and see it, and judge for yourself. I feel this is the best Austen adaptation I've seen for some time.
Saturday, 4 January 2020
Wednesday, 18 December 2019
I hope to have some exciting news for you early next year.
Here's wishing everyone a Merry Christmas and Happy New Year!
Monday, 16 December 2019
"The finest place in England—worth going fifty miles at any time to see."
"What, is it really a castle, an old castle?"
"The oldest in the kingdom."
"But is it like what one reads of?"
"Exactly—the very same."
"But now really—are there towers and long galleries?"
"Then I should like to see it..."
In Northanger Abbey, Catherine Morland, who loves 'horrid' novels, longs to explore the wonders of Blaize (Blaise) Castle and 'all the happiness which its walls could supply—the happiness of a progress through a long suite of lofty rooms, exhibiting the remains of magnificent furniture, though now for many years deserted—the happiness of being stopped in their way along narrow, winding vaults, by a low, grated door; or even of having their lamp, their only lamp, extinguished by a sudden gust of wind, and of being left in total darkness.'
|Blaise Castle House Museum|
The Castle, built in 1766 by estate owner Thomas Farr, was described as 'paltry' in size, but a 'very pleasing object' by Charles Heath in 1819 (Historical and Descriptive Accounts... of Chepstow, 6th edition).
Farr's manor house was replaced in the early 1790s with a beautiful neoclassical house (now Blaise Castle House Museum) designed by William Paty for new owner John Scandrett Harford (the elder).
|Humphry Repton's view from the House.|
Sadly, the Orangery was looking somewhat neglected when we visited earlier this year.
Blaise Hamlet, a wonderful collection of cottages also designed by John Nash, is just a couple of minutes' walk from the Museum.
The houses, built in 1812 by George Repton, one of Humphry's sons, are now cared for by the National Trust.
|One of Nash's cottages at Blaise Hamlet.|
Wednesday, 21 August 2019
September/October edition of Jane Austen's Regency World has this fantastic review of Vignettes! A big "Thank You" to reviewer Jocelyn Bury! The magazine also includes my article
on marriage and divorce in Austen's day, plus an exclusive look behind the scenes of the new TV adaptation of Sanditon, Jane Austen's last unfinished novel.
|Caroline of Brunswick.|
Wednesday, 29 May 2019
|Illustration for S. Richardson's 'Pamela'.|